Laurie J. Marks

The Light Fantastic

On Reading and Writing Fantasy


  • Action!  Inaction!

    Action! Inaction!

    Every sentence begins with a stressed syllable, mostly alternating stressed and unstressed: DUH duh. DUH duh. (Yep, trochaic rhythm.)  I’m trying to make you feel how Painter receives a bit of input, then struggles to process it: Darkness.  (Where?) Desperate coughing.  (Huh?)  Thunderous pounding.  “What?”

  • Light Scatter

    Light Scatter

    When I type up a chapter, comprehension becomes possible.  The light-scatter coalesces into a focused beam, and I can see my book’s multitude of flaws and failures. And that’s okay: Imperfections are rocks that form a path across a river.  I step on them, thank them, and leave them behind.

  • Unintended Consequences

    Unintended Consequences

    No wonder we tell children that gifts are randomly carried down chimneys. It seems like a reasonably accurate fantasy story.

  • Out of Book Limbo and Into the Fire

    Out of Book Limbo and Into the Fire

    I stubbornly filled a page…with crossed-out sentences.  Then, exasperated, I turned back to my printout and physically crossed out the paragraphs I was trying to rewrite.  That shouldn’t have worked, but it did.